6/9/2023 0 Comments From our house to bauhaus"The International Style" analyzed the great "functionalists" which ignored the worker-theme. The twentieth-century American skyscraper merely amused them with their ridiculous "zigzag trimmings." American architects simply obeyed the customer, whereas Europeans would walk away from commissions rather than debase themselves. In the piece, the authors distinguished between "architecture" and "building." Bauhaus was "architecture." But Americans were engaged in "building." There was Frank Lloyd Wright, but he was only half-way there and could be forgotten. Museum catalogue copy is notorious for being pretentious, but "The International Style," was thought to be different. Tom Wolfe’s 1981 book-length essay, From Bauhaus to Our House, is a trenchant critique of 20th-century architecture’s glass-box aesthetic.Laying the blame for America’s bland modern buildings at the door of Europe’s architectural compounds, Wolfe lambasts the follies of Germany’s Bauhaus movement and regrets its mid-century migration to America. They tried to bury the obligatory white sofas under Thai-silk throw pillows of every rebellious, iridescent shade of Magenta, pink, and tropical green imaginable. Chapter II, Utopia Limited Summary and AnalysisĪs a result of the Bauhaus, a piece called "The International Style" was written by Henry-Russell Hitchcock and Philip Johnson for the catalogue of the Museum of Modern Art's catalogue of photographs and models introduced in 1932 to bring Gropius, et al. Open Preview From Bauhaus to Our House Quotes Showing 1-4 of 4 They became desperate for an antidote, such as coziness & color.
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